Who Killed Nora Dalmasso? It Wasn’t Her Husband, Marcelo Macarron

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In almost every crime story, there are generally three perspectives to the narrative. First, there’s a victim or their family’s side of the story, then there’s the media verdict or public opinion, and finally, at the end of the tunnel comes the truth. And it’s quite tricky for an investigator or a prosecutor to entertain the first two perspectives without losing track of the real facts or the hard truth. You see, that’s exactly what happened in Nora Dalmasso’s case. The prosecutor didn’t have any substantial evidence in hand, but under public and political pressure, they filled the missing gaps in with conspiracy theories and hypotheses. And in doing so, they not only traumatized the whole family but also destroyed their private lives robbing them of the justice they deserved.

In December 2024, the state attorney’s office told the media and the public that they had found a match for the DNA sample on the robe’s belt that was used to strangle Nora to death. Public Prosecutor Pablo Javega further added that there was another piece of evidence that previously hadn’t been looked into. The forensics had picked up a hair from the victim’s groin, which, on further testing, belonged to the same person whose DNA was found on Nora’s belt. However, the public prosecutor refused to share the identity of the alleged perpetrator because it would lead to another media circus. Due to the statute of limitations, they cannot arrest or sentence the real killer, though he told the media that the suspected male adult still lives in Rio Cuarto. However, as per the recent media reports, there are some new developments in the case.


The New Suspect

During the trial, the medical examiner, Dr. Nidia Modesti, revealed that the forensic experts had found a rare haplotype, or DNA source, on different parts of the nightgown, likely from when the killer was trying to figure out where the knot was. This DNA source in question was different from all those previously analyzed, which means it was neither the husband nor the son who killed Nora Dalmasso, as the Argentinian media had been speculating for the past 20 years, because their DNAs have already been examined by the forensics. In simple terms, it belonged to a new suspect whom Pablo Javega talked about at the end of the documentary. And please, it wasn’t Grandpa; it was someone else entirely. 

Now, I know you all want to say that it could be the lover, right? In his final report, Julio Rivero, the trial attorney, pointed out that there is no legal or medical evidence that Nora was sexually assaulted or raped, which means she could have had consensual sex before her murder. Hearing this, the first thing that might come to one’s mind is her lover, Marcelo’s best friend, with whom Nora was having an affair. However, the person in question was 890 kilometers away from the crime scene at the time of the murder. He had an undisputable alibi and was playing in a golf tournament with Marcelo in Uruguay. This was also the reason why the judge and the jury didn’t find Marcelo guilty of his wife’s murder, it’s practically impossible for someone to make a to and fro journey across borders to kill someone without a trace. 

And it’s not like I’m trying to raise questions about someone’s character or cast aspersions on their private lives, but in this situation, it is the facts that suggest the possibility of a secret lover who, on the 26th November 2006, sneaked into Nora’s house while her husband was away. They got intimate in Nora’s daughter’s room, as the master bedroom was being renovated at that time. And maybe in the heat of the moment, or due to an argument, the perpetrator ended up strangling Nora so brutally that it took her life. And even though this, up to a certain extent, establishes the victim’s relationship with her killer, the real motive behind the murder still remains a mystery. Furthermore, Nora wasn’t drugged or under the influence of any substances; otherwise, it would have shown up in her medical report.


The New Suspect’s Identity

As per the latest development in the case, the DNA found on the robe’s belt and the hair found on the victim’s body came from a parquet worker named Roberto Marcos Barzola, who has been charged with sexual abuse and murder of Nora Dalmasso. The accused, however, has maintained his innocence, and told the media that he didn’t even know the victim. As you might remember, the Macarron house was under renovation, and Roberto was there for just a day and a half to finish his polishing work. A day before the murder, on 25th November, he went to the property, where he was waiting for his boss, Walter Gonzalez, the man who hired him for the job. But when Walter didn’t arrive, Roberto left without entering the house.

According to the reports, Marcelo and his children had taken legal action against the past public prosecutors for their lack of efficiency and delaying the course of justice. Through a formal complaint, the family had been able to circumvent the statute of limitations as previously mentioned by Public Prosecutor Pablo. Later, Pablo confirmed that the case is no longer time-barred, and they will be making an arrest and putting the accused on trial to ascertain the credibility of the new evidence. As of now, Roberto is a free man, because the investigators do not have enough grounds to order a preventive detention, but this can change in the near future. And therefore, there’s a possibility that Roberto will be convicted for Nora’s murder.


It Could Be Another Red Herring

Before we jump to the conclusion that it’s the new suspect who killed  Nora Dalmasso, we have to really consider the fact that the medical examiner didn’t find any signs of struggle or sexual assault on the victim’s body. Nor was she under the influence of any kind of drugs. So the authorities are just repeating the same mistake that they made in the past when they arrested the painter and put the blame on a common man because he didn’t have the resources to defend himself. After witnessing how the investigators botched the entire case and didn’t do anything conclusive for 20 years, it only makes you wonder if they are still bluffing and making educated guesses. It would only be a waste of taxpayers’ money and public resources if they keep bringing up the new suspect without actually investigating the real “motive” behind the murder. The painter or the parquet worker didn’t have anything to do with the victim, and no sane woman, who is a mother and wife, would put herself in such a situation. And at the cost of repeating myself, without any signs of sexual assault or struggle, it’s close to impossible to prove the suspect’s guilt in a court of a law. The jury will not buy it. It’s yet another shot in the dark that’s gonna fall flat.

I think, at this point of time, we should accept that no one will ever find who the real perpetrator is. And Nora’s friends and relatives just have to find the strength to move on in life and make peace with the fact that she is no longer with them. She was brutally murdered but never got the justice she deserved because the prosecutors kept making assumptions and the national media was too busy selling rumors. Through their actions, the media and the investigators not only misled the public but also tormented the victim’s family beyond repair. Nora’s murder investigation is really a case study of why investigators shouldn’t talk to reporters until they have substantial evidence in hand, because no matter what a journalist will tell you, they are human beings, and they do have opinions on the facts. Some reporters are homophobic, while others can be envious of someone’s life and success. And I am not excluding myself when I say this: journalists, even the people who consider themselves citizen journalists on social media, should not consider themselves the judge and the jury of an ongoing investigation, and should keep their opinions to themselves until the verdict is out. 



 

Shikhar Agrawal
Shikhar Agrawal
I am an Onstage Dramatist and a Screenwriter. I have been working in the Indian Film Industry for the past 12 years, writing dialogues for various films and television shows.

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